The Nose

SEEDANCE 2.5 · @IMAGE 1 = PLATE · @IMAGE 2 = CHARACTER SHEET · @IMAGE 3 = KITH TEE · 10S · 1080P · AUDIO ON

16:9, 10 seconds, real-time speed, two shots with one hard cut.

@Image 1 = location reference only, not a start frame: the same street, shop window, parked cars, bike rack and props, filmed from its own angle. @Image 2 = character sheet of the man: use only his face, long nose, curly hair, mustache, build and outfit; ignore the grid, labels and grey background. @Image 3 = the t-shirt: white Kith New York City Classic Logo Tee with the chest print exactly as shown. SHOT 1 (0-6s), wide from the far corner between parked cars: the man unties nothing, simply takes off his zip jacket and drapes it over the bike rack, holds up the white Kith t-shirt to his phone propped on the shop window, then gathers it and pulls it down over his head from above, the normal way. The neck opening catches on his long nose and his head stays stuck inside the shirt; the tip of his nose pushes a small point into the white fabric. SHOT 2 (6-10s), closer, zoomed in from across the street: he tugs the collar with both hands, his voice muffled inside; a passer-by stops and helps stretch the collar over his nose; his head pops through, hair messy. He smooths the shirt and turns the chest print toward his phone.

a bystander's phone, handheld, natural shake, one or two short digital zooms, focus briefly drifting, motion blur on movement. No operator hands or phone visible.

real influencer phone footage, slightly over-sharpened compressed smartphone video, phone HDR colors, natural daylight.

street ambience, passing cars, footsteps, fabric rustling. From inside the shirt, muffled: {Okay. Okay. Hold on.} No music. VOICE (the man): male, early thirties, American English, slightly nasal, upbeat influencer tone, calm and unbothered.

the man matches @Image 2 and his nose keeps the same size and shape; the t-shirt matches @Image 3; the place matches @Image 1.

no music, no exaggerated cartoon acting, no opening on @Image 1 as a frozen still, no studio background, no sheet grid or labels, no camera interface, no text overlays, no gimbal, no slow motion, no CGI look, no morphing, no extra fingers or limbs, no people appearing from nowhere, nobody looking into this camera.

SEEDANCE 2.5 · @IMAGE 1 = PLATE · @IMAGE 2 = CHARACTER SHEET · 10S · 1080P · AUDIO ON

16:9, 10 seconds, real-time speed, two shots with one hard cut.

@Image 1 = location reference only, not a start frame: the same pedestrian street, gelato shop with the striped awning, the queue with the little kid and the passers-by, filmed from its own angle. @Image 2 = character sheet of the man: use only his face, long nose, curly hair, mustache, build and outfit; ignore the grid, labels and grey background. SHOT 1 (0-5s), wide from across the street, people walking past the lens: the man comes out of the gelato shop with a waffle cone of pink ice cream, filming himself with his phone in the other hand, and takes a lick. SHOT 2 (5-10s), zoomed in closer: when he pulls the cone away, a small dab of pink ice cream is left on the tip of his nose. He notices, goes a little cross-eyed looking at it, tries to reach it with his tongue, gives up and wipes it off with his thumb. The little kid in the queue giggles.

a bystander's phone, handheld, natural shake, one or two short digital zooms, focus briefly drifting, motion blur on movement. No operator hands or phone visible.

real influencer phone footage, slightly over-sharpened compressed smartphone video, phone HDR colors, natural afternoon sun.

busy street ambience, footsteps, distant traffic, the shop door bell, a child's giggle. The man to his phone: {Okay, pistachio was a mistake. This is strawberry.} No music. VOICE (the man): male, early thirties, American English, slightly nasal, upbeat influencer tone, calm and unbothered.

the man matches @Image 2 and his nose keeps the same size and shape; the place matches @Image 1.

no music, no exaggerated cartoon acting, no opening on @Image 1 as a frozen still, no studio background, no sheet grid or labels, no camera interface, no text overlays, no gimbal, no slow motion, no CGI look, no morphing, no extra fingers or limbs, no people appearing from nowhere, nobody looking into this camera.

SEEDANCE 2.5 · @IMAGE 1 = PLATE · @IMAGE 2 = CHARACTER SHEET · 10S · 1080P · AUDIO ON

16:9, 10 seconds, real-time speed, two shots with one hard cut.

@Image 1 = location reference only, not a start frame: the same burger joint, window counter, cheeseburger, fries, phone on the small tripod with the ring light and the woman eating next to him, filmed from its own angle. @Image 2 = character sheet of the man: use only his face, long nose, curly hair, mustache, build and outfit; ignore the grid, labels and grey background. SHOT 1 (0-5s), from a few seats down the counter: the man sits at the window counter, says a few words to his ring-light phone, lifts the cheeseburger and goes in for the first bite; his long nose touches the bun first and comes away with a small dab of ketchup on the tip. SHOT 2 (5-10s), closer, slightly from the side: he notices the ketchup, wipes it off with a napkin, turns the burger and takes a careful bite from the side of his mouth, chewing and nodding at the phone. The woman next to him smiles into her drink.

a customer's phone, handheld, natural shake, one or two short digital zooms, focus briefly drifting, motion blur on movement. No operator hands or phone visible.

real influencer phone footage, slightly over-sharpened compressed smartphone video, phone HDR colors, mixed window and indoor light.

restaurant ambience, fryer sizzling, kitchen bell, paper wrapper crinkling, chewing. The man to his phone: {First bite. Here we go.} and then, with his mouth full: {Mm. Okay. Worth it.} No music. VOICE (the man): male, early thirties, American English, slightly nasal, upbeat influencer tone, calm and unbothered.

the man matches @Image 2 and his nose keeps the same size and shape; the place matches @Image 1.

no music, no exaggerated cartoon acting, no opening on @Image 1 as a frozen still, no studio background, no sheet grid or labels, no camera interface, no text overlays, no brand logos, no gimbal, no slow motion, no CGI look, no morphing, no extra fingers or limbs, no people appearing from nowhere, nobody looking into this camera.

SEEDANCE 2.5 · @IMAGE 1 = PLATE · @IMAGE 2 = CHARACTER SHEET · 10S · 1080P · AUDIO ON

16:9, 10 seconds, real-time speed, two shots with one hard cut.

@Image 1 = location reference only, not a start frame: the same riverside promenade, benches, lamps, the elderly woman with the tartan shopping trolley and the joggers, filmed from its own angle. @Image 2 = character sheet of the man: use only his face, long nose, curly hair, mustache, build and outfit; ignore the grid, labels and grey background. SHOT 1 (0-6s), wide from a bench: the man walks slowly backward along the promenade with his selfie stick extended all the way, looking at the screen and pulling the stick out a little further because his nose still fills the frame; the elderly woman with the trolley is coming along the path behind him. SHOT 2 (6-10s), zoomed in closer: he backs lightly into her trolley, turns around, apologises with his hand on his chest and steps aside; she shakes her head and walks on. He looks at his phone again and keeps walking backward.

a bystander's phone, handheld, natural shake, one or two short digital zooms, focus briefly drifting, motion blur on movement. No operator hands or phone visible.

real influencer phone footage, slightly over-sharpened compressed smartphone video, phone HDR colors, natural daylight.

riverside ambience, wind, seagulls, a jogger's footsteps, trolley wheels rattling, a soft bump. The man: {Oh. Sorry. Sorry, ma'am.} No music. VOICE (the man): male, early thirties, American English, slightly nasal, upbeat influencer tone, calm and unbothered.

the man matches @Image 2 and his nose keeps the same size and shape; the place matches @Image 1.

no music, no falling, no exaggerated cartoon acting, no opening on @Image 1 as a frozen still, no studio background, no sheet grid or labels, no camera interface, no text overlays, no gimbal, no slow motion, no CGI look, no morphing, no extra fingers or limbs, no people appearing from nowhere, nobody looking into this camera.

SEEDANCE 2.5 · @IMAGE 1 = PLATE · @IMAGE 2 = CHARACTER SHEET · 10S · 1080P · AUDIO ON

16:9, 10 seconds, real-time speed, two shots with one hard cut.

@Image 1 = location reference only, not a start frame: the same mall plaza, perfume kiosk with glass bottles and tester strips, and the saleswoman, filmed from its own angle. @Image 2 = character sheet of the man: use only his face, long nose, curly hair, mustache, build and outfit; ignore the grid, labels and grey background. SHOT 1 (0-5s), wide from across the plaza, shoppers passing: the man stands at the kiosk with his phone on a selfie stick; the saleswoman hands him a tester and he sprays it twice onto the chest of his jacket. SHOT 2 (5-10s), closer: he lowers his head to smell his jacket, but his long nose presses into the fabric before he can get close; he leans back, sniffs the air instead, and then sneezes once, a normal small sneeze into his elbow. The saleswoman smiles politely.

a shopper's phone, handheld, natural shake, one or two short digital zooms, focus briefly drifting, motion blur on movement. No operator hands or phone visible.

real influencer phone footage, slightly over-sharpened compressed smartphone video, phone HDR colors, mixed mall light.

mall ambience, footsteps on tiles, soft chatter, two quick spray hisses, one sneeze. The man to his phone: {Notes of bergamot, cedar, and...} then the sneeze, then: {Yes. Very strong.} No music. VOICE (the man): male, early thirties, American English, slightly nasal, upbeat influencer tone, calm and unbothered.

the man matches @Image 2 and his nose keeps the same size and shape; the place matches @Image 1.

no music, no spraying into the face, no exaggerated cartoon acting, no opening on @Image 1 as a frozen still, no studio background, no sheet grid or labels, no camera interface, no text overlays, no brand logos, no gimbal, no slow motion, no CGI look, no morphing, no extra fingers or limbs, no people appearing from nowhere, nobody looking into this camera.

SEEDANCE 2.5 · @IMAGE 1 = PLATE · @IMAGE 2 = CHARACTER SHEET · 10S · 1080P · AUDIO ON

16:9, 10 seconds, real-time speed, two shots with one hard cut.

@Image 1 = location reference only, not a start frame: the same bus stop, the packed city bus with its folding doors, the passengers, the road and the cyclist, filmed from its own angle. @Image 2 = character sheet of the man: use only his face, long nose, curly hair, mustache, build and outfit; ignore the grid, labels and grey background. SHOT 1 (0-5s), wide from across the road, a cyclist passing in front: the man squeezes onto the packed bus at the last moment, standing on the bottom step facing out; the doors start to close and bump against his long nose, then open again automatically. SHOT 2 (5-10s), zoomed in closer: the doors try a second time and bump his nose again; the passengers behind him sigh. He looks at the doors, steps back down onto the curb and waves the bus on; the doors close and the bus pulls away. He stands alone at the stop and checks the time on his phone.

a passer-by's phone, handheld, natural shake, one or two short digital zooms, focus briefly drifting, motion blur on the bus and cyclist. No operator hands or phone visible.

real influencer phone footage, slightly over-sharpened compressed smartphone video, phone HDR colors, natural daylight, reflections on the bus windows.

rush-hour street ambience, idling bus engine, the hiss and thump of the doors twice, a bus bell, the bus pulling away. The man, quietly: {Next one. Fine.} No music. VOICE (the man): male, early thirties, American English, slightly nasal, upbeat influencer tone, calm and unbothered.

the man matches @Image 2 and his nose keeps the same size and shape; the place matches @Image 1.

no music, no one gets hurt, the bus does not move while he is in the doorway, no exaggerated cartoon acting, no opening on @Image 1 as a frozen still, no studio background, no sheet grid or labels, no camera interface, no readable text, no brand logos, no gimbal, no slow motion, no CGI look, no morphing, no extra fingers or limbs, no people appearing from nowhere, nobody looking into this camera.

SEEDANCE 2.5 · @IMAGE 1 = PLATE · @IMAGE 2 = CHARACTER SHEET · 10S · 1080P · AUDIO ON

16:9, 10 seconds, real-time speed, two shots with one hard cut.

@Image 1 = location reference only, not a start frame: the same shopping street, sunglasses stand with the rotating rack and mirror, and the vendor, filmed from its own angle. @Image 2 = character sheet of the man: use only his face, long nose, curly hair, mustache, build and outfit; ignore the grid, labels and grey background. SHOT 1 (0-5s), from a few meters away, shoppers passing: the man stands at the stand filming himself, puts on a pair of black sunglasses and turns to his phone; the glasses slowly slide down the long slope of his nose until they rest near the tip. SHOT 2 (5-10s), closer: he pushes them back up with one finger and starts talking; a second later they slide down again. He pushes them up once more and simply keeps his finger on the bridge while he talks. The vendor watches with folded arms.

a bystander's phone, handheld, natural shake, one or two short digital zooms, focus briefly drifting, motion blur on movement. No operator hands or phone visible.

real influencer phone footage, slightly over-sharpened compressed smartphone video, phone HDR colors, natural sunlight.

shopping street ambience, footsteps, distant chatter, the creak of the rotating rack. The man to his phone: {Summer collection. These fit perfectly.} No music. VOICE (the man): male, early thirties, American English, slightly nasal, upbeat influencer tone, calm and unbothered.

the man matches @Image 2 and his nose keeps the same size and shape; the place matches @Image 1.

no music, no exaggerated cartoon acting, no glasses flying off, no opening on @Image 1 as a frozen still, no studio background, no sheet grid or labels, no camera interface, no text overlays, no brand logos, no gimbal, no slow motion, no CGI look, no morphing, no extra fingers or limbs, no people appearing from nowhere, nobody looking into this camera.

SEEDANCE 2.5 · @IMAGE 1 = PLATE · @IMAGE 2 = CHARACTER SHEET · 10S · 1080P · AUDIO ON

16:9, 10 seconds, real-time speed, two shots with one hard cut.

@Image 1 = location reference only, not a start frame: the same downtown sidewalk, the young female presenter with the foam-covered microphone, the cameraman and the onlookers, filmed from its own angle. @Image 2 = character sheet of the man: use only his face, long nose, curly hair, mustache, build and outfit; ignore the grid, labels and grey background. SHOT 1 (0-3s), from an onlooker's phone behind the small crowd: the presenter stops the man on the sidewalk and holds the microphone toward him; he nods, happy to talk. SHOT 2 (3-10s), cut to the interview camera's own angle: a steady-ish medium shot of the man with the microphone in the lower edge of the frame. The presenter asks her question. He answers, turning his head left and right to point out the street around him, and each time he turns, his long nose brushes across the foam of the microphone with a soft scratching sound. The presenter keeps a straight face; someone behind the camera stifles a laugh.

shot 1 a bystander's handheld phone, natural shake, a short digital zoom; shot 2 a handheld news camera with slight natural movement. No operator hands or phone visible.

real influencer phone footage and casual street-interview footage, slightly over-sharpened compressed video, natural daylight.

downtown ambience, traffic, footsteps. The presenter: {What is the best thing about living in this city?} The man, in a slightly nasal, cheerful voice: {Honestly? The smells. Fresh bread over there, coffee over there, and that guy needs a shower.} Soft foam-scratch sounds on the microphone each time his nose brushes it. No music. VOICE (the man): male, early thirties, American English, slightly nasal, upbeat influencer tone, calm and unbothered. VOICE (presenter): female, late twenties, American English, bright professional TV voice.

the man matches @Image 2 and his nose keeps the same size and shape; the place and presenter match @Image 1.

no music, no exaggerated cartoon acting, no opening on @Image 1 as a frozen still, no studio background, no sheet grid or labels, no camera interface, no text overlays, no lower-third graphics, no brand logos, no gimbal, no slow motion, no CGI look, no morphing, no extra fingers or limbs, no people appearing from nowhere, no extra spoken words.

SEEDANCE 2.5 · @IMAGE 1 = PLATE · @IMAGE 2 = CHARACTER SHEET · 10S · 1080P · AUDIO ON

16:9, 10 seconds, real-time speed, two shots with one hard cut.

@Image 1 = location reference only, not a start frame: the same city square, ring of onlookers, fountain, the orange basketball and the phone on a small tripod, filmed from its own angle. @Image 2 = character sheet of the man: use only his face, long nose, curly hair, mustache, build and outfit; ignore the grid, labels and grey background. SHOT 1 (0-4s), from the back of the crowd: the man picks up the basketball, spins it on one finger, and a few people start clapping. SHOT 2 (4-10s), zoomed in closer between two heads: he tilts his head back and moves the spinning ball onto the tip of his nose, where it keeps spinning for a few seconds while he holds his arms out for balance. The ball slows and rolls off; he catches it and does a small bow. The crowd claps and cheers, a few people filming.

a bystander's phone, handheld, natural shake, one or two short digital zooms, focus briefly drifting, motion blur on the spinning ball. No operator hands or phone visible.

real influencer phone footage, slightly over-sharpened compressed smartphone video, phone HDR colors, natural afternoon light.

city square ambience, fountain water, pigeons, the ball's soft spinning whir, clapping and a few whistles. No music. VOICE (the man): male, early thirties, American English, slightly nasal, upbeat influencer tone, calm and unbothered.

the man matches @Image 2 and his nose keeps the same size and shape; the place matches @Image 1.

no music, no exaggerated cartoon acting, no opening on @Image 1 as a frozen still, no studio background, no sheet grid or labels, no camera interface, no text overlays, no brand logos, no gimbal, no slow motion, no CGI look, no morphing, no extra fingers or limbs, no people appearing from nowhere, nobody looking into this camera.

SEEDANCE 2.5 · @IMAGE 1 = PLATE · @IMAGE 2 = CHARACTER SHEET · 10S · 1080P · AUDIO ON

16:9, 10 seconds, real-time speed, three shots with hard cuts.

@Image 1 = location reference only, not a start frame: the same indoor go-kart track, tyre barriers, pit lane karts, marshal and helmet rack, filmed from its own angles. @Image 2 = character sheet of the man: use only his face, long nose, curly hair, mustache and build; ignore the grid, labels and grey background. Here he wears his striped jacket and jeans with a full-face karting helmet. SHOT 1 (0-4s), from behind the pit lane barrier: the man sits in the front kart and pulls the helmet on; the visor will not close because his long nose sticks out past it, so he leaves it open, nose poking out, and gives a thumbs up. The marshal waves the flag and he pulls away. SHOT 2 (4-7s), handheld from the barrier as he comes around a corner: he drives fast with the visor open, curly hair escaping from under the helmet, leaning into the turn. SHOT 3 (7-10s), cut to a wider angle on the next corner: he takes it too fast, the kart slides and bumps sideways into the stack of tyre barriers with a soft thud; a couple of tyres roll off. He sits there for a second, then lifts one hand to the marshal: all fine. The marshal shakes his head.

a friend's phone, handheld, natural shake, short digital zooms, focus briefly drifting, motion blur on the karts. No operator hands or phone visible.

real influencer phone footage, slightly over-sharpened compressed smartphone video, phone HDR colors, bright arena lights.

go-kart centre ambience, buzzing kart engines, tyres squealing, the marshal's whistle, a rubbery bump into the tyres, tyres rolling. The man after the bump: {I am okay. The nose is okay.} No music. VOICE (the man): male, early thirties, American English, slightly nasal, upbeat influencer tone, calm and unbothered.

the man matches @Image 2 and his nose keeps the same size and shape; the place matches @Image 1.

no music, no one gets hurt, no flipping karts, no exaggerated cartoon acting, no opening on @Image 1 as a frozen still, no studio background, no sheet grid or labels, no camera interface, no text overlays, no brand logos, no gimbal, no slow motion, no CGI look, no morphing, no extra fingers or limbs, no people appearing from nowhere, nobody looking into this camera.

SEEDANCE 2.5 · @IMAGE 1 = PLATE · @IMAGE 2 = CHARACTER SHEET · 10S · 1080P · AUDIO ON

16:9, 10 seconds, real-time speed, two shots with one hard cut.

@Image 1 = location reference only, not a start frame: the same old boxing gym, now with a small amateur fight night in the ring, a few rows of spectators on folding chairs, filmed from its own angles. @Image 2 = character sheet of the man: use only his face, long nose, curly hair, mustache and skinny build; ignore the grid, labels and grey background. Here he wears red boxing shorts, a sleeveless red top and red gloves, no headgear. SHOT 1 (0-6s), from the second row of spectators: in the ring, a big muscular opponent in blue throws punch after punch at the man; he slips and dodges every one with smooth, cool, loose head movement, leaning back, ducking, rolling left and right, hands low, totally relaxed; the crowd starts to cheer. SHOT 2 (6-10s), cut to ringside, closer: the opponent throws a wide hook, the man ducks under it and comes straight back up, and the tip of his long nose clips the opponent's chin on the way up; the opponent's eyes go blank and he sits down slowly on the canvas, dazed but unhurt. The referee waves it off; the man raises his gloves, casual. The crowd jumps up.

a spectator's phone, handheld, natural shake, short jerky digital zooms, focus briefly drifting, motion blur on the fast movement, heads in the foreground. No operator hands or phone visible.

real influencer phone footage of an amateur fight night, slightly over-sharpened compressed smartphone video, phone HDR colors, warm ring lights.

amateur fight-night crowd, gloves whooshing past, shoes squeaking on the canvas, a light tap as the nose clips the chin, the crowd roaring, the bell ringing. A spectator shouts: {Did he just... with his nose?} No music. VOICE (spectator): male, twenties, American English, amazed.

the man matches @Image 2 and his nose keeps the same size and shape; the place matches @Image 1.

no music, no blood, no injuries, no brutal hits, no exaggerated cartoon acting, no opening on @Image 1 as a frozen still, no studio background, no sheet grid or labels, no camera interface, no text overlays, no brand logos, no gimbal, no slow motion, no CGI look, no morphing, no extra fingers or limbs, no people appearing from nowhere.

SEEDANCE 2.5 · @IMAGE 1 = PLATE · @IMAGE 2 = CHARACTER SHEET · 10S · 1080P · AUDIO ON

16:9, 10 seconds, real-time speed, two shots with one hard cut.

@Image 1 = location reference only, not a start frame: the same indoor public pool, lanes, starting blocks, the lifeguard on the tall chair, the goggles and blue swim cap on the middle block, filmed from its own angle. @Image 2 = character sheet of the man: use only his face, long nose, curly hair, mustache and skinny build; ignore the grid, labels and grey background. Here he wears dark swim trunks and the blue swim cap over his curly hair. SHOT 1 (0-5s), from the pool deck: the man stands by the middle starting block and pulls on the swimming goggles; the bridge sits on his long nose and the lenses stand away from his eyes, not sealing at all. He presses them to his face, lets go, and they pop forward again. SHOT 2 (5-10s), closer: the lifeguard watches, sighs, blows one short whistle and tosses him a little nose clip; he catches it, tries to clip it on the very tip of his nose, it hangs there; he shrugs and jumps into the water with a clumsy splash.

a friend's phone, handheld, natural shake, short digital zooms, focus briefly drifting, motion blur on movement. No operator hands or phone visible.

real influencer phone footage, slightly over-sharpened compressed smartphone video, phone HDR colors, humid hazy pool light.

indoor pool echo, splashing, distant voices bouncing off tiles, one whistle blast, the splash of his jump. The lifeguard: {Here. Try this.} No music. VOICE (lifeguard): female, twenties, bored American voice.

the man matches @Image 2 and his nose keeps the same size and shape; the place matches @Image 1.

no music, no exaggerated cartoon acting, no opening on @Image 1 as a frozen still, no studio background, no sheet grid or labels, no camera interface, no text overlays, no brand logos, no gimbal, no slow motion, no CGI look, no morphing, no extra fingers or limbs, no people appearing from nowhere, nobody looking into this camera.

SEEDANCE 2.5 · @IMAGE 1 = PLATE · @IMAGE 2 = CHARACTER SHEET · 10S · 1080P · AUDIO ON

16:9, 10 seconds, real-time speed, two shots with one hard cut.

@Image 1 = location reference only, not a start frame: the same quiet museum gallery, the large seascape painting, the black line on the floor, the sensor box by the frame and the security guard, filmed from its own angle. @Image 2 = character sheet of the man: use only his face, long nose, curly hair, mustache, build and outfit; ignore the grid, labels and grey background. SHOT 1 (0-5s), from across the gallery: the man stands with his toes exactly on the black line, hands behind his back, and leans forward to study the brushstrokes; his feet stay behind the line but his long nose crosses well past it, and a sharp alarm beep goes off. SHOT 2 (5-10s), closer: he straightens up, startled, and points down at his feet, still behind the line; the guard walks over, looks at the line, looks at his nose, and silently points him one step back. He steps back and leans forward again, more carefully.

a visitor's phone, handheld, natural shake, short digital zooms, focus briefly drifting, motion blur on movement. No operator hands or phone visible.

real influencer phone footage, slightly over-sharpened compressed smartphone video, phone HDR colors, soft gallery light.

quiet gallery echo, soft footsteps on wood, a short electronic alarm beep. The man, whispering: {My feet are behind the line.} The guard, flat: {The nose is not.} No music. VOICE (the man): male, early thirties, American English, slightly nasal, upbeat influencer tone, whispering. VOICE (guard): male, sixties, calm low voice.

the man matches @Image 2 and his nose keeps the same size and shape; the place matches @Image 1.

no music, no exaggerated cartoon acting, no touching the painting, no opening on @Image 1 as a frozen still, no studio background, no sheet grid or labels, no camera interface, no text overlays, no gimbal, no slow motion, no CGI look, no morphing, no extra fingers or limbs, no people appearing from nowhere, nobody looking into this camera.

SEEDANCE 2.5 · @IMAGE 1 = PLATE · @IMAGE 2 = CHARACTER SHEET · 10S · 1080P · AUDIO ON

16:9, 10 seconds, real-time speed, two shots with one hard cut.

@Image 1 = location reference only, not a start frame: the same busy gym, the flat bench press with the loaded barbell, the phone on the water bottle and the big friendly spotter in the tank top, filmed from its own angle. @Image 2 = character sheet of the man: use only his face, long nose, curly hair, mustache and skinny build; ignore the grid, labels and grey background. Here he wears a plain grey t-shirt and black gym shorts. SHOT 1 (0-5s), from a few meters away: the man lies on the bench and unracks the bar with the spotter's help; he lowers it slowly, and the bar touches the tip of his long nose long before it gets anywhere near his chest. He pushes it back up. SHOT 2 (5-10s), closer: he keeps doing short half reps, the bar stopping at his nose each time and coming back up; the spotter, hands under the bar, counts quietly and glances at the other lifters. On the last rep the man gives a strained thumbs up from under the bar.

a gym member's phone, handheld, natural shake, short digital zooms, focus briefly drifting, motion blur on movement. No operator hands or phone visible.

real influencer phone footage, slightly over-sharpened compressed smartphone video, phone HDR colors, overhead gym lights.

gym ambience, clanking plates, a treadmill humming, grunting, the bar settling into the rack. The spotter, counting flatly: {One. Two. That is... still two.} No music. VOICE (spotter): male, thirties, deep calm American voice.

the man matches @Image 2 and his nose keeps the same size and shape; the place matches @Image 1.

no music, no injuries, the bar never presses down on his face, no exaggerated cartoon acting, no opening on @Image 1 as a frozen still, no studio background, no sheet grid or labels, no camera interface, no text overlays, no brand logos, no gimbal, no slow motion, no CGI look, no morphing, no extra fingers or limbs, no people appearing from nowhere, nobody looking into this camera.

SEEDANCE 2.5 · @IMAGE 1 = PLATE · @IMAGE 2 = CHARACTER SHEET · 10S · 1080P · AUDIO ON

16:9, 10 seconds, real-time speed, two shots with one hard cut.

@Image 1 = location reference only, not a start frame: the same small outdoor five-a-side pitch with the wire fence, the friends in mismatched kit and the small goal, filmed from its own angle. @Image 2 = character sheet of the man: use only his face, long nose, curly hair, mustache and skinny build; ignore the grid, labels and grey background. Here he is the goalkeeper in a baggy green goalkeeper shirt, black shorts and keeper gloves. SHOT 1 (0-5s), from outside the fence: a friend shoots hard at goal; the man reaches with his gloves too late, but the ball smacks off the tip of his long nose and bounces away wide. A second shot comes from close range; he flinches, turns his head, and again the ball deflects off his nose over the bar. SHOT 2 (5-10s), closer through the fence: a third shot; this time he deliberately leans his head into it and heads it away with his nose, then points at his nose proudly. The shooter puts his hands on his head; a teammate claps.

a friend's phone through the wire fence, handheld, natural shake, short jerky digital zooms, focus briefly catching on the fence and snapping back, motion blur on the ball. No operator hands or phone visible.

real influencer phone footage, slightly over-sharpened compressed smartphone video, phone HDR colors, low golden late-afternoon sun.

outdoor pitch ambience, ball thumps, the rattle of the fence, players shouting, a soft rubbery boop each time the ball hits his nose. A friend: {How is that legal?} No music. VOICE (friend): male, twenties, American English, laughing.

the man matches @Image 2 and his nose keeps the same size and shape; the place matches @Image 1.

no music, no injuries, no exaggerated cartoon acting, no opening on @Image 1 as a frozen still, no studio background, no sheet grid or labels, no camera interface, no text overlays, no brand logos, no gimbal, no slow motion, no CGI look, no morphing, no extra fingers or limbs, no people appearing from nowhere, nobody looking into this camera.

SEEDANCE 2.5 · @IMAGE 1 = PLATE · @IMAGE 2 = CHARACTER SHEET · 10S · 1080P · AUDIO ON

16:9, 10 seconds, real-time speed, two shots with one hard cut.

@Image 1 = location reference only, not a start frame: the same neighbourhood barbershop, the middle chair with the black cape, the older barber with the trimmer, the customer on the waiting bench, filmed from its own angle. @Image 2 = character sheet of the man: use only his face, long nose, curly hair, mustache and build; ignore the grid, labels and grey background. Here he sits in the chair with the black cape over his clothes. SHOT 1 (0-5s), from the waiting bench: the barber leans in to trim the man's thin mustache, but the long nose hangs right over it; the barber pauses and quietly asks him to lift it. SHOT 2 (5-10s), closer, in the mirror and over the barber's shoulder: the man calmly pushes the tip of his own nose up with one finger and holds it there, perfectly still, eyes on the mirror, while the barber carefully trims underneath with the buzzing trimmer. The customer on the bench lowers his newspaper to watch.

a customer's phone, handheld, natural shake, short digital zooms, focus briefly drifting, motion blur on movement. No operator hands or phone visible.

real influencer phone footage, slightly over-sharpened compressed smartphone video, phone HDR colors, fluorescent and window light.

barbershop ambience, a small radio talk show murmuring, the buzz of the trimmer, scissors snipping at the next chair. The barber: {Could you lift it a little?} The man, nasal because he is holding his nose up: {Like this?} No music. VOICE (the man): male, early thirties, American English, slightly nasal, extra nasal while holding his nose. VOICE (barber): male, sixties, warm patient voice.

the man matches @Image 2 and his nose keeps the same size and shape; the place matches @Image 1.

no music, no exaggerated cartoon acting, no opening on @Image 1 as a frozen still, no studio background, no sheet grid or labels, no camera interface, no text overlays, no brand logos, no gimbal, no slow motion, no CGI look, no morphing, no extra fingers or limbs, no people appearing from nowhere, nobody looking into this camera.

SEEDANCE 2.5 · @IMAGE 1 = PLATE · @IMAGE 2 = CHARACTER SHEET · 10S · 1080P · AUDIO ON

16:9, 10 seconds, real-time speed, two shots with one hard cut.

@Image 1 = location reference only, not a start frame: the same underground shopping passage, the analogue photo booth with the red curtain and the photo-strip slot, the passers-by, filmed from its own angle. @Image 2 = character sheet of the man: use only his face, long nose, curly hair, mustache, build and outfit; ignore the grid, labels and grey background. SHOT 1 (0-5s), from across the passage: the man steps into the photo booth and pulls the curtain; the booth flashes four times, a bright white flash spilling out under the curtain each time; he pokes his head out between flashes to check his hair. SHOT 2 (5-10s), closer by the booth: he comes out and waits at the slot; the photo strip drops out; he picks it up, looks at it, and the camera zooms in over his shoulder: in all four little black-and-white frames, his long nose fills almost the whole picture, his eyes barely visible at the top. He nods, satisfied, and tucks it into his jacket.

a passer-by's phone, handheld, natural shake, short digital zooms, focus briefly drifting, motion blur on movement. No operator hands or phone visible.

real influencer phone footage, slightly over-sharpened compressed smartphone video, phone HDR colors, fluorescent passage light.

underground passage ambience, echoing footsteps, the clunk and whir of the old booth, four flash pops, the strip dropping into the tray. The man, pleased: {Classic.} No music. VOICE (the man): male, early thirties, American English, slightly nasal, upbeat influencer tone.

the man matches @Image 2 and his nose keeps the same size and shape; the place matches @Image 1.

no music, no exaggerated cartoon acting, no opening on @Image 1 as a frozen still, no studio background, no sheet grid or labels, no camera interface, no readable text, no brand logos, no gimbal, no slow motion, no CGI look, no morphing, no extra fingers or limbs, no people appearing from nowhere, nobody looking into this camera.

SEEDANCE 2.5 · @IMAGE 1 = PLATE · @IMAGE 2 = CHARACTER SHEET · 10S · 1080P · AUDIO ON

16:9, 10 seconds, real-time speed, two shots with one hard cut.

@Image 1 = location reference only, not a start frame: the same moving metro carriage, the door window with the dark tunnel outside, the commuters, and the little boy in the winter hat with his mother on the bench opposite, filmed from its own angle. @Image 2 = character sheet of the man: use only his face, long nose, curly hair, mustache, build and outfit; ignore the grid, labels and grey background. SHOT 1 (0-5s), from a commuter standing in the carriage: the man leans by the door with his phone, absently breathing on the cold window; a patch of fog forms on the glass. He notices, and with the tip of his long nose he slowly draws a small smiley face in the fog. SHOT 2 (5-10s), closer: the little boy opposite stares at it, slides off the bench, breathes on the window next to him and draws his own smiley with his tiny nose; the two of them glance at each other and nod seriously. The mother smiles.

a commuter's phone, handheld, natural shake from the moving train, short digital zooms, focus briefly drifting, slight motion blur. No operator hands or phone visible.

real influencer phone footage, slightly over-sharpened compressed smartphone video, phone HDR colors, cool carriage light, dark tunnel flicker.

metro carriage rumble, rails clacking, a muffled station announcement, a soft squeak of nose on glass. No music.

the man matches @Image 2 and his nose keeps the same size and shape; the place matches @Image 1.

no music, no exaggerated cartoon acting, no opening on @Image 1 as a frozen still, no studio background, no sheet grid or labels, no camera interface, no readable text, no brand logos, no gimbal, no slow motion, no CGI look, no morphing, no extra fingers or limbs, no people appearing from nowhere, nobody looking into this camera.

SEEDANCE 2.5 · @IMAGE 1 = PLATE · @IMAGE 2 = CHARACTER SHEET · 10S · 1080P · AUDIO ON

16:9, 10 seconds, real-time speed, five short shots joined with hard cuts.

@Image 1 = location reference only, not a start frame: the same bright pharmacy, the counter with the boxes of blue surgical masks, the pharmacist in the white coat and the elderly customer by the door, filmed from its own angles. Do not use the small mirror at all. @Image 2 = character sheet of the man: use only his face, long nose, curly hair, mustache, build and outfit; ignore the grid, labels and grey background. SHOT 1 (0-2s), wide from near the entrance: the man stands at the counter and takes one blue surgical mask out of the box. SHOT 2 (2-4s), cut to a medium shot from the front, across the counter: he hooks both ear loops properly behind his ears; the mask sits correctly over his mouth and chin, but his long nose sticks out over the top edge. SHOT 3 (4-6s), cut to his side profile: he takes the top edge of the mask and carefully pulls it up and over his long nose; the mask stretches up along the nose and the bottom edge slides up off his chin. SHOT 4 (6-8s), cut to a close shot from the front: the mask now sits stretched over his nose like a small blue tent, the ear loops pulled tight, and his whole mouth and mustache are completely uncovered underneath. He breathes in and the mask puffs slightly on his nose. He looks up at the pharmacist, totally serious. SHOT 5 (8-10s), cut to a wide shot from beside the shelves: the pharmacist silently slides the box of larger masks across the counter toward him.

casual handheld phone footage from different spots in the pharmacy, natural shake, short digital zooms, focus briefly drifting, slight motion blur. No operator hands or phone visible.

real influencer phone footage, slightly over-sharpened compressed smartphone video, phone HDR colors, cool fluorescent light.

pharmacy ambience, a door chime, the elastic snapping behind his ears, the paper mask crinkling, a barcode scanner beep. The man, his voice muffled for a moment and then clear: {I think it fits.} The pharmacist, flat: {Try the large.} No music. VOICE (the man): male, early thirties, American English, slightly nasal, upbeat influencer tone. VOICE (pharmacist): female, fifties, kind, deadpan.

the man matches @Image 2 and his nose keeps the same size and shape in every shot; the place matches @Image 1.

no mirror, no reflections of the man, no music, no exaggerated cartoon acting, no opening on @Image 1 as a frozen still, no studio background, no sheet grid or labels, no camera interface, no readable text, no brand logos, no gimbal, no slow motion, no CGI look, no morphing, no extra fingers or limbs, no people appearing from nowhere, nobody looking into this camera.

SEEDANCE 2.5 · @IMAGE 1 = PLATE · @IMAGE 2 = CHARACTER SHEET · 10S · 1080P · AUDIO ON

16:9, 10 seconds, real-time speed, two shots with one hard cut.

@Image 1 = location reference only, not a start frame: the same department store entrance with the glass revolving door, the street and traffic, the shoppers and the security guard, filmed from its own angle. @Image 2 = character sheet of the man: use only his face, long nose, curly hair, mustache, build and outfit; ignore the grid, labels and grey background. SHOT 1 (0-5s), wide from across the street, traffic passing in front: the man steps into one wing of the revolving door while filming himself; as it turns, his long nose touches the glass panel in front of him and the door's safety sensor stops it with a jolt. The shoppers in the other wings stop too. SHOT 2 (5-10s), zoomed in closer through the traffic: he steps back half a pace, turns his head sideways so his nose clears the glass, and the door starts turning again; he shuffles around with his head turned to the side and steps out into the lobby. A shopper in the next wing rolls her eyes.

a passer-by's phone, handheld, natural shake, one or two short digital zooms, focus briefly drifting, motion blur on passing traffic. No operator hands or phone visible.

real influencer phone footage, slightly over-sharpened compressed smartphone video, phone HDR colors, natural daylight, reflections on the glass.

city street ambience, traffic, a bus passing, the soft hum of the revolving door, a mechanical stop click and the door restarting. No music. VOICE (the man): male, early thirties, American English, slightly nasal, upbeat influencer tone, calm and unbothered.

the man matches @Image 2 and his nose keeps the same size and shape; the place matches @Image 1.

no music, no getting stuck, no exaggerated cartoon acting, no opening on @Image 1 as a frozen still, no studio background, no sheet grid or labels, no camera interface, no text overlays, no brand logos, no gimbal, no slow motion, no CGI look, no morphing, no extra fingers or limbs, no people appearing from nowhere, nobody looking into this camera.